Happy talk like a pirate day!
The above images are from Bucaniers of America, by Alexander Olivier Exquemelin, published in London: 1684, which is part of our online exhibit: Pirates in Print. Curated by Dr. Mark G. Hanna of the UC San Diego Department of History, the exhibition illustrates sea life during the “golden age of piracy,” as well as more modern works that demonstrate the continuing influence of pirates in popular culture.
Piratical seizure of the brig Admiral Trowbridge by part of her crew, while lying at anchor off the Island of Sooloo, August 21, 1807 communicated by Capt. Alexander Wallace : including the murder of Mr. C. B. Lloyd and the narrow escape of Mr. William Sharpe. Also the captivity and cruel treatment of M. de Brisson, on the coast of Barbary, between 1807 and 1810
Each group of sermons has special half-title
Numerous errors in paging.
Bound with: Donne, John, 1573-1631. Fifty sermons. London : Printed by Ja. Flesher for M.F., J. Marriot, and R. Royston, 1649
UCSD’s copy has bookplate of Don Cameron Allen; handwritten notes in margin; lacks title page and engraved added half-title
Evan Lavender-Smith was born in Iowa in 1977. He attended the University of California at Berkeley and New Mexico State University. He is the author of From Old Notebooks (Blazevox, 2010) and Avatar (Six Gallery Press, 2011), Editor-In-Chief of Noemi Press, and Prose and Drama Editor of Puerto Del Sol. His writing has recently appeared in Fence, No Colony, Post Road, and Evergreen Review. He is Visiting Assistant Professor of English at New Mexico State University. He Lives in Las Cruces, New Mexico.
Carmen Giménez Smith is the author of a memoir, Bring Down the Little Birds, four poetry collections— Milk and Filth, Goodbye, Flicker, The City She Was, and Odalisque in Pieces. She is the recipient of a 2011 American Book Award, the 2011 Juniper Prize for Poetry, and a 2011-2012 fellowship in creative nonfiction from the Howard Foundation. Formerly a Teaching-Writing Fellow at the Iowa Writers’ Workshop, she now teaches in the creative writing programs at New Mexico State University, while serving as the editor-in-chief of the literary journal Puerto del Sol and the publisher of Noemi Press.
New Writing Series readings by Michael Davidson and Rae Armantrout, April 10, 2013
Michael Davidson is a University of California, San Diego Distinguished Professor. He is the author of The San Francisco Renaissance: Poetics and Community at Mid-Century(Cambridge U Press, 1989), Ghostlier Demarcations: Modern Poetry and the Material Word(U of California Press, 1997), Guys Like Us: Citing Masculinity in Cold War Poetics (U of Chicago, 2003). and Concerto for the Left Hand: Disability and the Defamiliar Body (U of Michigan, 2008). His most recent book, Outskirts of Form: Practicing Cultural Poetics was published in 2011 by Wesleyan University Press. He is the editor of The New Collected Poems of George Oppen (New Directions, 2002). He is the author of five books of poetry, the most recent of which is The Arcades (O Books, 1998). He is the co-auathor, with Lyn Hejinian, Barrett Watten, and Ron Silliman, of Leningrad (Mercury House Press, 1991). He has written extensively on disability issues, most recently “Hearing Things: The Scandal of Speech in Deaf Performance,” in Disability Studies: Enabling the Humanities, Ed. Sharon Snyder, et al (Modern Language Association, 2002), “Phantom Limbs: Film Noir and the Disabled Body,” GLQ 9:1-2 (2003), Universal Design: The Work of Disability in an Age ofGlobalization, The Disability Studies Reader, ed. Lennard Davis (Routledge, 2010), and “Pregnant Men: Modernism, Disability, and Biofuturity in Djuna Barnes,” Novel 54.3 (Summer, 2010). His new and selected poems is forthcoming from Coffee House Press.
Just Saying, Rae Armantrout’s most recent book of poems, was published by Wesleyan University Press in 2013. Versed (Wesleyan, 2009), received the Pulitzer Prize and the National Book Critics Circle Award. It was also a finalist for the National Book Award. Next Life (Wesleyan, 2007), was chosen as one of the 100 Notable Books of 2007 by The New York Times. Other recent books include Money Shot (Wesleyan, 2011,) Collected Prose(Singing Horse, 2007), Up to Speed (Wesleyan, 2004), The Pretext (Green Integer, 2001), and Veil: New and Selected Poems (Wesleyan University Press, 2001). Her poems have been included in anthologies such as The Open Door: 100 Poems, 100 Years of Poetry Magazine, (Chicago, 2012), American Hybrid (Norton, 2009), Postmodern American Poetry: A Norton Anthology (1993 and 2013), American Women Poets in the 21st Century: Where Language Meets the Lyric Tradition, (Wesleyan, 2002), The Oxford Book of American Poetry (Oxford, 2006) and The Best American Poetry of 1988, 2001, 2002, 2004, 2007, 2008, 2011 and 2012. Armantrout received an award in poetry from the Foundation for Contemporary Arts in 2007 and a Guggenheim Fellowship in 2008. She is Professor of Poetry and Poetics at the University of California, San Diego. Writing in Poetry magazine, Ange Mlinko has said, “I would trade the bulk of contemporary anecdotal free verse for more incisive, chilling poetry like Armantrout’s.”
UC San Diego holds the literary papers of George Oppen (1908-1984), objectivist poet and winner of the Pulitzer Prize for Poetry in 1969. Most of the materials date from the period 1958-1978. Included are manuscripts and typescripts for all the poems contained in Oppen’s nine published books. Also included are drafts and fragments of unpublished poems, typescripts of published and unpublished essays, transcripts of Oppen’s verse, and copies of reviews of Oppen’s work. Of special interest are loose leaf pages of notes, and Oppen’s personal daybooks, all of which help to reveal his thinking about diverse subjects. The largest part of the collection consists of correspondence to Oppen from family members, editors, poets and other writers, and admirers of his work.
[Woman reading on rocking chair], by Lance Hidy, 1989
Exhibition: “A Nation of Readers”
March 18 - June 29, 2013
An exhibition of books, pamphlets, newspapers, manuscripts, and other documents, selected from the holdings of the Mandeville Special Collections Library, that illustrate the types of publications Americans have read since colonial days.
Main floor, Geisel Library